Pink: Skladba po skladbe!

Pink: Skladba po skladbe!


Prinášame vám možnos prečíta si o čom sú skladby z aktuálneho albumu speváčky Pink. Nech sa páči informácie o skladbách v pôvodnom znení (anglickom jazyku) doplené o videá a audio ...


Ave Mary A - Ave Mary A is a song about how f****d up the world has become, how we’ve all lost the plot a little bit. Me and Billy wrote that song and then we brought in Al Clay, whose does a lot of my post-production and mixing. He’s amazing and hilarious and he smokes really good cigars. He’s kind of like our clean up guy and he’s so much fun. And Ave Mary A is a fun song. I can’t wait to hear ten thousand people screaming that back to me.





So What - So What, what do I have to say about So What? So What?! So What was a joke. I heard this beat from Max Martin. It’s such a fun beat, so fun. And I was actually kidding when I said “I guess I just lost my husband, I don’t know where he went.” Ha ha, that’s really funny. Let’s keep it and it just kind of went from there. And it just got more and more wrong. The more lines we wrote, the wronger it was. And we kept it because I don’t really care. I don’t think about the consequences when I write songs and now I am regretting every second of it. No, I’m not.





Sober - Sober is a song that ironically I drank a lot while … My favorite thing to do is sit around with friends over sake and beer and talk about our drinking problems. I am not a quitter. I thought about creating an Alcoholics Obvious. And we would go to bars and celebrate how great drinking is. And so I wrote a song called Sober, which I am not actually being funny … Actually I am being funny. Seriously, Sober is a dark, kind of sad song. And it’s about the vices that we choose and I had this idea in my head, ‘like how do I feel this good sober?’ So I brought that idea to Danja and with this awesome girl Kara DioGuardi and we wrote this song, Sober. And it’s a pretty telling song and then me and Tony Kanal and Jimmy Harry finished it, production-wise, threw some strings on it and made it a little bit darker and a little bit more rocky. I don’t know it’s just a really really personal beautiful song, one of my favorites I think.





Crystal Ball - Me and Billy were sitting in the studio in New York and we always have a song were we’re kind of sitting together in a room like this with mics set-up, guitar mics and vocal mics, and we kind of just do a song once through with candles lit. No production, no pretension, no perfectionism, nothing. It’s just a vibe, it’s an energy captured. And that’s that song and, you know, it’s pretty obvious what it means. But I don’t want to know the future. I think that’s the best part is not knowing. And with The One That Got Away was one of those songs from the last record where, you know, we may have a little too much to drink or not enough or we’re kind of right in the yummy middle ground. And then Billy gets so pissed at me because I wanted to use the demos. I don’t mix a lot of those songs. A lot of those songs on the record don’t get mixed. Some of them don’t even get mastered. I don’t want them touched. And then he’s like ‘let me re-sing my part!’ Absolutely not. He gets so mad at me. The One That Got Away and Crystal Ball, if you listen close enough, he’s singing the wrong words, we’re not even singing the same song. But it’s so beautiful because it’s an energy. It’s nothing else but a raw vibe recorded. So that’s that song.





Glitter In The Air - What can you say about Glitter In The Air. Glitter In The Air was a fun moment. Billy Mann again and I…Yeah, I mean those are some questions. I hope that anyone that listens to that song can answer ‘yes’ to every one of those questions because if they can they’ve had a yummy, yummy night.





I Don’t Believe You - The first thing that comes to my mind with I Don’t Believe You is me standing in the vocal booth listening … Actually in the control room listening to this song, tears running down my face, just like ‘fuck, really?’ It’s the vulnerable weak side of me that I don’t let out very often. And it’s [sighs], yeah it’s that song. And I love it, I love it. I just love it, it’s very near and dear to me.





Please Don’t Leave Me - Please Don’t Leave Me, another song I did with Max Martin. I can be really, really awful. And the first step is denial. It’s about how we can get really nasty with the people that we love. And it’s just saying like ‘fuck you … come back, I didn’t mean it’. That’s that.





Mean - Fuck it, I’m just gonna tell the truth. We can decide later if we wanna go there. One of the last trips that me and Carry took was me, Butch, and Carry, Nora, Butch’s wife, Steve Astafin and Jade Astafin … really good friends of ours. We’re like the six musketeers. We would always travel together. And it was one of our last trips and it was for Butch’s birthday to O-Hi. We all went and brought a guitar and had a picnic. And I took Butch over, I hadn’t started working on my record yet and I took butch over to the side, and you know, we’re all so close that we all knew that Carrie and I were unraveling. Even Carrie and I did. And it was okay. It was sad and weird and beautiful. We just knew it was one of our last trips as the ‘six.’ And I took Butch to the side, away from them a little bit, and I said ‘I wanna write a song called How Did We Get So Mean? And we started writing right there at the picnic in front of everyone. And it was awkward and beautiful and amazing. And there’s still so much love at that picnic and so much honesty. Really good cheese and we started writing that song. And Butch was the first person I worked with after Carrie and I decided to split. And I sat there and cried through the rest of the song with Butch. We worked through it and I sang it into a laptop crying … sad. And I think everyone can relate to that song because I really do think that everyone can relate. My dad cried when he listened to that song.





Zdroj: Sony BMG Music Entert.
Publikoval: Gregi






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